Pracownia Badań nad Procesem Twórczym
zaprasza na wykład prof. Johna Bryanta (Hofstra University)

“Melville’s Aesthetics of Incompletion,
from Moby-Dick to Billy Budd: Reading and Editing Versions”.

21.04.2022, g. 18.00 czasu polskiego
Platforma Zoom
https://us02web.zoom.us/j/2187583567?pwd=Rmh3NGZxRVc0eHpqOU5JbHgxSXdhZz09

Meeting ID: 218 758 3567

Abstrakt
Throughout his prose-writing career Herman Melville (1819-1891) experimented with narrative voice and technique along the lines of an “aesthetics of incompletion.” This development is concretely observed genetically and biographically in Melville’s revision processes, evident in manuscript, print, and external documents, as well as in sequential versions of his fluid texts. Revision patterns regarding evolutions in Melville’s “black consciousness,” in versions of Moby-Dick (1851) and Billy Budd (1891, 1924) reveal the “ragged edges” of Melville’s exposure of Self and engagement with Readers as one mode of Incompletion in his creative process. How, then, might digital editing of various kinds of revision (in the Melville Electronic Library) enable us to create critical revision narratives of Melville’s aesthetics?

Dr. hab. Mateusz Antoniuk
Kierownik Pracowni