Seminar

 

“Sounds and Words. Music – Literature – Creative Process”.

 

June 8 – 9, 2023

Jagiellonian University, Centre for Creativity Research

Cracow, Poland

 

Localisation of the seminar venue:

Name of the street – Gołębia

Street number: 16

Room number: 42 (first floor)

All papers and discussions are streamed live:

https://us02web.zoom.us/j/2187583567?pwd=Rmh3NGZxRVc0eHpqOU5JbHgxSXdhZz09

 

Thursday, 8 June

 

Session 1. Creative process in music (I) 

 

15.00 – 15.30       Rosalba Agresta (ITEM, Paris)

Tracking the creative process in music: considerations on sources for music genetics

15.30 – 16.00       Jeffrey Kallberg (University of Pennsylvania)

Having Coffee with Chopin

 

Short break

 

16.15 – 16.45    Ulla Pohjannoro (Sibelius Academy)

From Corporeality to Metaphor, from Gesture to Music: Epistemic Observations on a Composer’s Creative Process

16.45 – 17.15     Lauro Pecktor de Oliveira (U. of Calgary)        REMOTE  PRESENTATION

alcides lanza’s creative processes: notational bias and the agency of memory    

17.15 – 18.30     Discussion

 

Friday, 9 June

 

Session 2. Creative process in music (II)

 

9.15 – 9.45        John Rink (University of Cambridge)

Digital Editions in Practice and Performance

9.45 – 10.15      Hsien-Sheng Lien (National Pingtung University) REMOTE  PRESENTATION

Approaching musical modernity. Study on early works of Po-yun Hsu and Hwang-long Pan

10.15 – 10.45      Discussion

 

Short break

 

Session 3. Songwriters and poets “at work” 

 

11.00 – 11.30        James Little (University College, Dublin),

Frank Ocean’s Silences: from Studio to Stage

11.30 – 12.00       Anna R. Burzyńska (Jagiellonian University)

„The new poet collects and remixes…” The art of the mix tape

12.00 – 12.30        Julia Holter (Western Catholic University, Nantes and ITEM)

From Sampling to the Vital Pulsation. Composer of poetry Jean-Claude Pinson

12.30 – 13.30         Discussion               

 

Session 4.  Genetic criticism and “musical” aspects of literary work 

 

15.30 – 16.00           Hans Walter Gabler (Ludwig Maximilians Universität)  REMOTE   

                                                                                                                                                    PRESENTATION

Narrative and Performance: James Joyce's twofold attempt in “Ulysses” to write towards the condition of music

16.00 – 16.30          Wojciech Kruszewski (The John Paul II Catholic University of Lublin)

How do poets work on sound structure of their poems?

16.30 – 17.00          Mateusz Antoniuk (Jagiellonian University)

Rhythms and rhymes in the making 

17.00 – 18.00          Discussion. Closing remarks